Co-creating a culture of peace
Wednesday, March 5th, 2025
By Robert C. Koehler
The “old days� are more alive than ever – by which I mean my old days, when I was a kid. My life pushed forward on its own, more or less. This is called growing up. I wasn’t paying much attention until, at a certain point, a.k.a., adolescence, I started noticing the world I was a part of in ways beyond what I was taught. The world itself was changing and nobody, including my teachers, really understood it.
Existence wasn’t a bunch of bricks-and-mortar certainties. It was a vast unknown. Knowing this was alarming; it was also the meaning of freedom.
Today, as I move through the dark, stumbling uncertainty known as old age (I’m 78), I find myself looking backwards a lot, mulling over how I got here, often in amazement. For some reason it seems to matter. Can I learn from myself?
Occasionally I find myself writing about the process, celebrating those moments of self-awareness – little nuggets of gold – that played major roles in my becoming. The memory consuming my attention today goes beyond simply self-awareness and the evolving nature of what I believe. At a certain point in my late adolescence, with adulthood looming, I got sent up to my room – not by Mom or Dad, but by a guy I remember by the name Big Nick – and the world changed. I became a conscious participant in it for the first time in a serious way, beyond just my emotions and self-concern.
I was a freshman in college – a lonely boy, bashful and clueless (oh God, would I ever have a girlfriend?). The college I wound up attending was Western Michigan University, in Kalamazoo, far enough from the Detroit area, where I grew up, to make me feel like I was on my own. I had chosen the school almost randomly. Most of my high school classmates were going to the University of Michigan. I didn’t want to follow the smarty herd. Western had come to my attention because its basketball team had done well that year. Good enough for me. I just wanted to get away.
Turns out I couldn’t have made a better choice – for multiple reasons, both good and bad. Its faults were as much of a gift to me as its remarkable virtues. One of its faults was its plethora of socially conservative student rules, attempting to lock young people into the proper behavior of a bygone era. One rule I remember, for instance, was this: Girls had to wear skirts or dresses to class – unless the temperature was zero degrees or colder! Then they could wear slacks.
I also remember the sign that my dormitory director had posted on his office door. It said: “Look your best – we’re coed.� Huh? This was the mid-‘60s. Colleges across the country were exploding with free-speech movements and post-beatnik-era social and political change. Western seemed unaware of this and continued to blather paternalistic propriety at is students.
One Saturday afternoon, in my second semester as a freshman, I went down to dinner in the dorm cafeteria. It was early spring; the weather was starting to warm up. I was wearing shorts and a pair of sandals. This was against the rules. Remember: Look your best, we’re coed! The girls ate in the same cafeteria as the boys did.
I can’t remember if I was being deliberately defiant – I actually don’t think so. Dress-code rules were hardly at the forefront of my attention. I just went down to the cafeteria wearing what I was wearing. But there was Big Nick, standing at the door. He stopped me as soon as I entered, informed me that I was dressed inappropriately, and sent me back up to my room.
Here’s where the “other� Western enters my life as fully as possible and opens the door to my future. One of the classes I was taking that semester was called Freshman Writing (or something like that). It was a required course, unless you tested out of needing to take it, which – praise the Lord – I had failed to do. My teacher was a man named Karl Sandelin, an enthusiastic and truly caring guy who had one goal: to help us find our voices as writers.
When I got back to my room I was bristling with rage and incredulity. Something had been ignited in me – something far bigger than a need for dinner. All these rules are so dumb! I needed to . . . what? Opening my window and screaming wouldn’t calm me down. Instead, I sat at my typewriter and started writing. Writing needs a focus. My focus was Karl Sandelin. He was open to anything – anything! – his students wrote and I knew he would read it with focus and serious interest. I spent all evening typing away at an essay about the rules, taking a deep look at why they were pointless, reflecting nothing more than the values of an outmoded, pseudo-propriety. These rules didn’t represent the thoughtful, evolving Western I knew I was attending.
I called the essay “Look Your Best – We’re Coed.�
Yeah, cool. Karl definitely had a positive response, and we remained friends throughout my time at Western. He wasn’t the only professor who had a profound effect on my life there, but he was the first.
But writing it was just the beginning – of something well beyond what I could imagine. I went on with my life: finished the semester, worked at Ford Motor Co. that summer, then started my sophomore year. I hadn’t forgotten about the essay; I made a few revisions. Eventually I took a leap. I submitted it to a school publication called The Western Review – a monthly literary journal. What the heck. They might be interested.
A few days later . . . it was sometime mid-afternoon. I was back in my dorm, decided to take a shower. Then I returned to my room. I walked in naked. There was someone talking to my roommate. His name was Barry – he was the editor of the Western Review! He wanted to meet me. He told me that “Look Your Best – We’re Coed� would be running in the next issue, which would be out in a few days. Perhaps by then I had wrapped a towel around myself, but I’m not sure.
And it ran. And there was a seismic shift. The students went nuts; a bunch of them were sitting in my dorm room when I got back from my classes the day it ran. People were calling for change – and the rules started changing. Western entered the ’60s. And I decided, hmmm . . . maybe I’ll be a writer when I grow up.